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When I read the second version, I had the feeling that everything that I would have to take out of the third, if I adapted it, Lawrence had already done in the second.
It was as if he authorized me, actually said to me, ‘Take the second version and feel free to do what you want.’ It was very strange. Why all those short takes in the early part of the film.
Adapted from “John Thomas and Lady Jane,” Lawrence’s second version of the novel (Stateside we read the wordier third), “Lady Chatterley” has become something of a cinematic event.
It marks the return not only of Constance and the gamekeeper cavorting naked in the rain, but also of Pascale Ferran, a filmmaker admired in France, but little known here.
But I greatly prefer the 2nd version [Lawrence wrote three markedly different versions].